There is a kind of classlessness in the theater. The rehearsal pianist the head carpenter the stage manager the star of the show-all are family.
This whole creation is essentially subjective and the dream is the theater where the dreamer is at once: scene actor prompter stage manager author audience and critic.
I feel like I have reached the stage where I can no longer produce for my club my manager and my teammates.
Musicians ought to reclaim some of the power in the houses of production. The opera houses are run either by managers or by stage directors never by musicians.